Lovecraftian?

Yes, I’m pretty deep into the shooter genre mode right now, having just passed 75,000 words on the first draft of Lex Talionis, but I’m going to digress for a little, to explore a thought I had while sitting in the “Death Is The Least Of Your Worries: Writing Lovecraftian Fiction” panel at LTUE. The panelists agreed (and so would I) that the nature of Lovecraft’s horror lay in the confrontation of unfathomable powers which barely noticed human beings.  You might get squished along the way, but it was hit or miss as to whether the monster actually noticed you in the process.  A vital part of the Cthulhu Mythos is mankind’s insignificance, and helplessness, in the face of the chaotic forces that rule the cosmos.  You can try to fight Cthulhu, but it won’t end well for you. Granted, this is not entirely a hard and fast rule even within the (admittedly broad) confines of the Mythos itself.  Brian Lumley’s Titus Crow bests a few eldritch abominations, and no less towering a figure than Conan the Cimmerian (Howard was a regular correspondent with Lovecraft) banished a few to whatever weird dimension they’d come from with a powerful stroke of

LTUE 2017 After Action

The 35th Life, The Universe, and Everything conference, my second, has come and gone, and it was a blast.  I got to sit on a few panels, hang out with Larry Correia, Jim Curtis (OldNFO online), and a few others, chat briefly with James Minz (executive editor at Baen), and along the way let the gears turn, leading to several new ideas, refinements of old ones, and possibly get some new, or new-ish projects rolling.  (There should be audio of Kill Yuan forthcoming in the next few months, for instance.) Most of the panels I was attending (as opposed to being a panelist), I was sort of half-listening, half letting the gears turn.  That’s how the back-cover byline for Lex Talionis changed halfway through the “Hook” panel.  Originally intended to be “The Hunters Have Become The Hunted,” which fits, but has been used before, it will now be “War And Politics Have Consequences.” There were a couple of weird parts.  There was a member of the “Writing Action Scenes” panel, who will remain nameless, who asserted that video gaming provides the real experience of being in a fight.  (I may or may not have seen Larry twitch toward a double-handed

Life, The Universe, And Everything

No, that’s not a lead in to a Douglas Adams joke.  Though it could be. Life, The Universe, And Everything is a writer’s conference in Provo, Utah, mostly concerning Science Fiction and Fantasy.  I first went last year, and ended up having a blast, in large part because I got to hang out with Larry Correia for a good chunk of the three days, as well as meet Steve Diamond, who runs Elitist Book Reviews. I’m going again this year, and this time, I’ll be a panelist.  Self-published or no, having eight books out means I can sort of coherently talk about some of this stuff, so I’ll be on four panels, discussing several aspects of writing in the genres I dabble in. On Thursday, Feb 16, at 1300, I’ll be on the “Modern Warfare” panel, along with the creator of the Dead Six series and my co-author on “Rock, Meet Hard Place,” Mike Kupari.  My reason for being on that panel should be self-explanatory to anyone who’s read my stuff. At 2000 the same day, I’ll be on the “Convincing Conflict” panel, since “conflict” seems to be the primary characteristic of my fiction. On Friday, I’ll be on the