So, the question has come up, whither the Maelstrom Rising series in the aftermath of the Wuhan Coronavirus? It was originally floated as question about whether people would really want to read more about the world unraveling while it appears to be doing just that in real life. It’s since turned into a different question: Since the original backstory was written before the coronavirus outbreak, how would it effect the overall storyline? After all, there’s no mention of a global pandemic in the backstory. And how would the current crisis play out in such a way that the backstory remains mostly intact? I think it’s actually somewhat simpler than I might have thought. The economic fallout from all of this is going to be far worse than the death toll from the disease itself. The global economy is taking a huge hit, that will only get worse as quarantine measures continue. At the same time, global interdependence has also taken a blow that it might not recover from. (There were op-eds published several weeks ago, bemoaning the fact that the coronavirus has dealt a blow to globalization that it might never recover from.) The rapid spread of the coronavirus, both due
Hong Kong Crackdown
As the People’s Armed Police gather with their vehicles in Shenzen, it looks like Hong Kong’s semi-autonomy may soon be at an end. I haven’t exactly been shy about casting the Red Chinese as villains in the past. Despite the propaganda that they’ve been spreading around, and that has been often parroted by those with financial ties to Beijing, they’ve certainly earned it over the years. (Try to get any official Chinese outlet to talk about Tianamen Square sometime.) While it might be tempting, given the sheer weight of Chinese products sold to the West, to think that China has truly “embraced” the free market, the Chinese Communist Party is still firmly in charge.
Overtaken By Events
“Timeliness” is a temptation that I think most military/spy fiction writers have to deal with. “Ripped from the headlines!” and “Prophetic!” are compliments that reviewers have used for works in the genre going back to Tom Clancy, at least. Those same phrases have been applied to some of my own work, and I’ll admit that it can be somewhat affirming (though often in a grim sort of way) to see events move in a generally similar direction to that predicted in one of your novels. It shows you that you read the situation fairly accurately.